Consuming Danger, Signifying Danger: Postnuclear Monuments, museums and Gardens
AbstractMarked by the scientific discovery of atomic energy, the nuclear age, which spans the twentieth century, has changed the nature of culture as well as the landscape. Despite recent talks on nuclear disarmament, the dread of nuclear arms production, proliferation, and waste storage is pervasive at both global and local levels, haunting governments, communities, and individuals alike. Nuclear sites concern not only scientists and politicians but also environmental designers. The need to evoke a cultural discourse, protect future generations, reveal or conceal radioactive burial sites, and recycle retired installations engenders the participation of artists and designers. How do designers intersect with these hellish places? Do we have a potent role in addressing this conundrum? In what follows, I confront the consumption and design of today’s most daunting places - the landscapes of nuclear and radioactive material production, processing, testing, and burial.
Download data is not yet available.
How to Cite
Engler, M. (2004). Consuming Danger, Signifying Danger: Postnuclear Monuments, museums and Gardens . Landscape Review, 9(1), 7–8. https://doi.org/10.34900/lr.v9i1.115
Abstracts of full plenary papers presented
LicenseAuthors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).